From a vinyl-focused music exhibition to beloved record stores, ‘listening bars’ and clubs, the Victorian capital’s fondness for wax reverberates in every corner of the city When the needle drops, Elias Rahbani’s 1972 album Mosaic of the Orient (Näi, Buzuk & Guitar) cascades out from a Technics SL-1300GE-K turntable and a colossal pair of Tasmanian-made Pitt & Giblin Superwax speakers. I’m in the Listening Room – a temple for audiophiles, and to the vinyl record – in Melbourne’s Acmi, as part of Rising festival’s new exhibition The Vinyl Factory: Reverb . The gear sounds extraordinary – and it is only one story in a room filled with countless more.
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